Trenson makes work that is not entirely abstract. When referring to recognisable elements in his work, he prefers the word figuration to representation. Perhaps we recognise a body or an interior, often just its suggestion.

The most important aspect is his concern with the question of priority. Colour first or form first? Figure or do we stick to a brush stroke? Trenson’s works represent both presence and absence. They are seemingly nervous works with a high dose of psychology. They are paintings that indulge while looking.